Work performed can be grouped in the following categories:
* Audio production experiences and requirements: A User group was set to get a better understanding of the market demands, professional practices and needs. An online questionnaire was deployed in order to collect their requirements. Based on this, specifications of the BINCI tools were derived, which have been reviewed during the project. It was also established the roadmap for the BINCI demonstrations.
*Acoustic measurements: A dataset of high-resolution HRTF measurements and 3D scans was created and a HRTF individualization tool was implemented. An alternative HRTF individualization procedure was developed for the acquisition of HRTFs for children. A method for capturing Spatial Room Response measurementss (SRR) in Ambisonics was proposed and validated and a set of SRRs was created as well as a procedure for making use of them in producttion. Work was also done on the needed filtering process in the delivery audio chain and researching appropriate equalization filters.
*3D Audio production tools: Binaural Home Studio (BHS) has been developed- It includes a set of plugins available in different formats covering most popular DAWs in the market. It also includes a Visualizer, providing an overall view of the production to the user in a more intuitive way. Work was also done on developing the 3D synthesizer tool to create new sounds in the 3D listening space. Finally, a binaural player has been developed for the dynamic binaural reproduction of spatial productions and it has been integrated in customized players for the 3D audio tours at demo sites.
*Binaural engine and system integration: A cross-platform binaural engine has been developed compatible with the BHS and the player, and optimized for playback on mobile and embedded platforms and supporting HQ HRTFs. Regarding HW, work was focused on improving an existing headtracking device to meet BINCI requirements and the development of enhanced firmware and bluetooth drivers. Regarding integration, work was done on integrating and testing the interoperability between modules provided by different partners and between material to be integrated or used by other component such as HRTFs and headphone equalizations.
*BINCI demonstrations: BINCI has been validated in real production environments through BINCI User Group. 3D audio artistic projects were supported covering a wide variety of genres and styles and provided BINCI with iterative end-user tests and feedback. BINCI has been also validated for the creation of new cultural experiences. Three productions have been developed for three cultural sites (Fundació Joan Miró, Alte Pinakothek, and St. Andrews Castle) and evaluated with more than 1000 visitors.
*Dissemination and exploitation: BINCI created channels for dissemination: website, @binci_EU twitter account, YouTube channel and dissemination materials (leaflets, poster, publications and AV demos). Partners presented BINCI at scientific conferences, cultural, and creative and music industry events. Dissemination activities have helped to reach target audiences, spread the word, capture the attention of end-users, and to get valuable insights for the commercialization of the project results. The Data Management Plan was produced and a BINCI community was set in Zenodo’s repository. Besides, partners carried out activities for monitoring the 3D audio market, current technologies and trends, define the exploitable results, the final exploitation model and strategy and the associated business plan.