Objective
This project entitled “The Colours of the Past in Victorian England” (COPAST) aims to analyse the reception of the chromatic material culture of Antiquity and the Middle Ages in the works of writers and painters from William Morris’s close circle. These politically-committed poets and artists looked towards the ideologically-charged colours of Hellenic and medieval arts and crafts, in order to retrieve and emulate supposedly more meaningful hues and dyeing processes which they believed modern science and economic imperatives had stripped of their symbolic and artistic value. The Victorian age (1837-1901) was indeed a turning point in terms of scientific discoveries of new chemical colours, including coal-tar based synthetic dyes. Dr. Ribeyrol will investigate ideological approaches to ancient polychromy in the context of the Greek and Gothic Revivals which affected industrialized England in the second half of the 19th century. Using close analysis of art works, literary texts and pigment recipe books, she will contrast these ancient hues with the new chemical aniline dyes which were mainly devised for the expanding textile industry. This innovative focus on chromatic materiality in the field of Victorian art history and literature will enable her to shed light on the artistic impact of this colour revolution which radically unsettled the way certain avant-garde Victorian writers and artists related to chromatic terminology and used traditional, organic pigments.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- engineering and technology materials engineering colors
- engineering and technology materials engineering synthetic dyes
- humanities history and archaeology history medieval history
- humanities history and archaeology history modern history
- humanities arts art history
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF-EF-ST - Standard EF
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2014
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
OX1 2JD Oxford
United Kingdom
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.